Web. Havana Film Festival (Festival Internacional del Nuevo Cine Latinoamericano) in December 2011, as well as audience awards at Leeds, Fantasporto, and the Miami International Film Festival. 2019. Interpretations of these works as dangerous pop culture pabulum or disturbingly cynical social satires on how people, both individually and as groups, often respond inadequately and unethically in the face of catastrophe or other serious problems, are overly reductive. Insight Scoop | The Ignatius Press Blog: February 7th, 2007 at 5: 45 am it is so cool, but how you do it. Ecology, Capital and the Nature of Our Times. However, cultural critics receptive to the pulse of recent Cuban cultural production, such as Dean Luis Reyes, have noted continuity with earlier trends: In fact, part of the film’s appeal may be that it knowingly incorporates “todos los estereotipos de Cuba como símbolo global, privilegiando la burla de la idiosincrasia hiperbólica del cubano, como también la legitimación del carácter resistente que nos ha tocado asumir ante toda clase de cataclismos de la Historia” (Reyes) [“all the stereotypes of Cuba as a global symbol, privileging the mocking of Cubans’ hyperbolic idiosyncrasy, as well as the legitimation of the resistant character we [Cubans] have had to assume in the face of History’s many cataclysms”]. When Acilde is first reborn in the submarine doorway, he is welcomed by Taíno characters, Nenuco and Ananí, who herald him as one of the “men of the sea” descending from the “earth of beginnings” (p. 75). Juan’s daughter Camila in. (2004) and other recent works in this vein that have been read as expressions of fears about difference and immigration, these works counter xenophobic zombie narratives and ultimately advocate transnational rather than solely national or individual self-preservation as shared goals. La Negrura they called it. The incoherent responses to crises portrayed in these works are particularly suggestive in that they encourage us to question our own capacity to respond effectively to potentially devastating diseases, nuclear catastrophes or other major disasters that have occurred in the past or might occur in the future as well as the ineffective or in some cases counterproductive responses to existing medical, social, ecological and economic problems. In fact, Pavel López Guerra concludes that Brugués’ film unintentionally marginalizes the Other through its “complaciencia con el orden de cosas que lo condena a esa ‘esquina’ espacial, económica y cultural” [complacency with the order of things that condems it [the Other] to that spacial, economic and cultural “corner’’]. This opening scene situates the novel in relation to the Dominican Republic’s treatment of citizens of Haitian descent, evoking the 1937 “Parsley Massacre” on the Haitian–Dominican border, as well as the more recent, scandalous 2013 legal ruling, “La Sentencia TC 168–13”, which denationalized a large sector of the population. 15Much of the humor in Juan de los Muertos, like that of the animated film Vampiros en La Habana before it, does indeed rely on vulgarity and negative stereotypes related to sex, race and gender. Brugués’ use of choteo (a kind of irreverent humor analyzed by Jorge Mañach in his 1955 essay “Indagación del choteo”) has already been identified by Cuban film critics Joel del Río and Dean Luis Reyes. (2006), was a drama rather than a “genre” work, although he has also maintained a long-term interest in speculative genres. Marguerite Fernández Olmos and Lizabeth Paravisini-Gebert. Those who respond most coherently and most effectively to the crisis in this story are the Haitian scientists and doctors and their collaborators on the ground. Not only does he lack discipline and the ability to control a harpoon, he purposely kills the living in scenes that have given more than one viewer reason for concern. Is the film, then, as some posters have suggested, little more than an extended version of “Chupi Chupi,” a recent reggaeton hit that was roundly criticized by Cuban government officials for its vulgarity and base commercialism? : “Aquí no pasa nada: ni ejército, ni fuerza aérea ni ministerio alguno […] no pude evitar experimenta la sensación de que con Juan of the Dead, el cine cubano tocó fondo” [Nothing happens here: no army, no air force, no governmental departments whatsoever […] I couldn’t avoid feeling that Cuban cinema hit bottom with “Juan of the Dead”]. 43Both works undermine cynical and defeatist attitudes towards regional and global social issues, including the devaluation of human life by dignifying the choice to stay and fight for survival in the face of crisis rather than doing nothing, profiting, or leaving. La negrura del mar: Las aventuras de Said y Sheila LITERATURA INFANTIL 6-11 años - Sopa de Libros: Amazon.de: Caride, Ramón, Prado, Miguelanxo, Fernández Fernández, María Jesús: Fremdsprachige Bücher His inadvertent harpooning of Pastor Jones, the English-speaking missionary with a plan to resolve the crisis, reaffirms Lázaro’s inadequate preparation for responding effectively to the crisis while underlining the need for a coherent Cuban rather than foreign solution to the disaster. Facebook le dă oamenilor puterea de a … The statements, opinions and data contained in the journals are solely Symptoms of the infantile form include an enlarged brain and head, … While the lack of the right of exit depicted by Brugués and Díaz in both the Cuban and Haitian contexts (and in the Dominican context to a lesser degree) may seem less striking than the immediacy of hordes of attacking zombies and giant cannibals, the lack of the right of exit in fact proscribes the possibility of a viable exit strategy in both cases. 12 June 2012. One particularly indignant reviewer, Roberto Madrigal, concludes in his essay on Cubaencuentro: “el filme parece decirnos que en Cuba, el futuro pertenece por entero a los cínicos, que no es a los audaces sino a los desfachatados a quienes acompaña la fortuna. In, Vergès, Françoise. In “Monstro” the international community is generally irresponsive until the potential for the crisis to spread beyond Haiti becomes clear. ---. Díaz’s Dr. Noni DeGraff, a Haitian epidemiologist investigating the illness, has the presence of mind to close one eye during the attack, sacrificing her sight for understanding through a glimpse of the crisis: “Dr. Drawing on Aristotle’s Nicomachean Ethics, as well as a range of more recent work on the topic, she argues that the only effective emergency response, coherent action, requires both deliberation and habit. This should not be particularly surprising, however, and not only in the work of Díaz, who, while born in the Dominican Republic, grew up in the United States and writes in English, but also in the work of Brugués, who was born in Argentina and raised in Cuba. In. פייסבוק מאפשר לאנשים לשתף והופך את העולם לפתוח ולמקושר יותר. “Juan de los Muertos : La metáfora latinoamericana del muerto viviente” Festival Internacional de Cine en Guadalajara 2-10 Mar. The disease is nicknamed “La Negrura” (The Darkness) because it resembles a black mold that grows on its “viktims”.2 The story ends with the narrator and his friends heading toward the border between the Dominican Republic and Haiti, camera equipment in hand, ready to photograph giant cannibals as the world they knew, or thought they knew, comes to an end. Présentation du dossier consacré à l’Université de l’État de Pennsylvanie, Visions du Sud : Université invitée - Santiago du Chili, Esthétique de la discontinuité (N° 3 | 2007), Littérature comparée et Gender (N° 23 | 2018), Portail de ressources électroniques en sciences humaines et sociales, Reacting to Crises: Immobilization, Incoherent and Coherent Responses, The Roles of Habit and Deliberative Thinking in Emergency Response, The Right of Exit and Freedom of Movement, Conclusion: To Stay and Fight or the Commitment to Equality of Survival, Catalogue des 552 revues. The zombies and cannibals in these works resemble others from horror and science fiction genres to a greater extent than those derived more directly from Caribbean tradition and folklore. 9. votes. Brugués makes this concern for the city explicit in his director’s statement for this film: “Por otro lado, quiero fotografiar una Habana preciosa, la Habana que yo amo. Significantly, however, distances itself from the humorous resolution in. He already recognizes the difficulty of distinguishing right from wrong and of making ethical decisions, even before the dead rise. Petro-modernity has also warped linear conceptions of time, speeding up everyday life through (auto)-mobilisation, compressing time and space. 5 June 2012. Digestive Diseases and Sciences. 1.5M ratings 277k ratings See, that’s what the app is perfect for. This specific history is overdetermined by the emergence of US hegemony, concretised through the establishment of the “American Sugar Kingdom” in the Caribbean, and repeated military interventions. 45Instead of interpreting these hypothetical apocalypses as confirmations of a cynical attitude towards death, I read these works as creative attempts to laugh in the face of tragedy by taking it to the extreme level that shocks the viewer or reader out of complacency about the absurdity of the sometimes all too familiar. “¿Hay Zombies en Cuba ?” Taller de la crítica en Camagüey. 12 June 2012. However, through habit and deliberative thinking, we see the development of responses in both works that counter these humorous but ultimately sterile reactions that can be fruitfully understood through the lens of Scarry, The generally, though not entirely, sympathetic protagonists represent the common man (not the, “New Man”) who struggles to find direction and purpose. For an overview of the criticisms, see María Córdova’s “La vulgaridad en nuestra música: ¿una elección del “pueblo cubano””? Border violence in the form of border closings, forced deportations, exit and entry restrictions, while admittedly more mundane than a zombie apocalypse or outbreak of giant cannibals, permeates the larger social and political contexts of these works. Closed refugee camps in Haiti, sealed borders, medical quarantine, international disregard, and a U.S. military attack on the affected area in Díaz’s story, and forced work camps in Cuba and international isolation in Brugués’ film, read less as futuristic flights of fancy than as evocations of past and in some cases present social conditions. before it, does indeed rely on vulgarity and negative stereotypes related to sex, race and gender. 10 June 2012. The trope of the unsuspecting heroes who confront danger not because they have an emergency plan, but because they are unlucky enough to find themselves in danger’s path, is present in both works. Discover releases, reviews, credits, songs, and more about Rolando La Serie - Negrura / Vagabundo at Discogs. Initial commentary on “Monstro” has generally emphasized the similarities in the writing style, including the English and Spanish code-switching and playful disregard for maintaining distinctions between literary and colloquial registers. Is the film, then, as some posters have suggested, little more than an extended version of “Chupi Chupi,” a recent reggaeton hit that was roundly criticized by Cuban government officials for its vulgarity and base commercialism?7 While it represents momentum in the direction of projects funded outside ICAIC, the state-run Cuban film industry, that have marketable appeal for both Cuban and non-Cuban audiences, it is neither an entirely commercial mode nor solely derivative of films made in other countries. The disease is nicknamed “La Negrura” (The Darkness) because it resembles a black. It's hard to be down on the world when these guys are around. You look good in black. The sea is shut out here by illimitable tracts of loathsome weed […] The bottles that are thrown over from sinking ships are swept towards this common refuse heap of the deep; derelicts gradually sway into this vortex […] Not until the sea gives up its dead will the whole miserable history of the Sargasso Sea be known. Mathieson, Jolene. Web. 2012;142(1):46–54. A comparison of these two works also reveals compelling arguments for what more effective and ethical responses to disaster might look like through depictions of speculative apocalyptic scenarios. A skin lesion consisting of a hair follicle that is occluded with sebum and keratin, appearing black at the surface. Junot Díaz, a Dominican American writer, is notorious for his use of both the Spanish and English languages as a way to enhance his stories and his storytelling ability. La Negrura … 8In this regard, Elaine Scarry’s work on thinking in an emergency is useful in shedding light on how these fictional filmic and literary narratives portray the development of ethical and effective crisis responses. Which promptly they did” (117). Cine cubano, la pupila insomne Juan Antonio García Borrero. 2012. 10 June 2012. Commenting on. After their initial inaction, Juan and his friends later attempt an unsuccessful exorcism before finding more effective ways to use a crucifix, oar, baseball bat, slingshot and any number of other adaptable tools through trial and error. - Jraider, Oct 2, 2017. Inaction and incoherent responses are not limited to those of individuals in these works. Many of these narratives, she argues, “invoke the titillating figure of the zombie as representative of the Afro-Caribbean folk as bogeyman” (Paravisini-Gebert 37). Print. Díaz, Junot. Theories of International Politics and Zombies, Sanchez here reinscribes the very demeaning logic he purports to diagnose by suggesting that Latin Americans value life less than people living in other regions and that they would therefore be less hesitant to use deadly violence and hence more likely to survive. “Los zombis llegaron ya” Molinator 11 June 2012. Olokún, whose name means “owner of the ocean,” is “associated with the treasures that are hidden at the bottom of the sea” (. An infectious disease of turkeys and some wildfowl that is caused by a protozoan (Histomonas meleagridis) and results in lesions of the intestine and liver. The military reimposes order and the living citizens profit from the dead as labor, entertainment, and companionship. Nevertheless, the responses to emergency depicted in these two works demonstrate the value of both emergency preparation and training as well as deliberative reasoning and cooperation. 15 June 2012. The right of exit, which Scarry affirms is “a right that has, for more than two thousand years, been recognized as essential to liberty” (66), is markedly absent in both works. “Junot Diaz: Monstro” Fail Better 14 June 2012. Print. While the film has generally been received as an outlier in the Cuban film canon, it can also be productively read within the robust national filmmaking tradition. Yo también :-)! Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. Díaz and Brugués’ contributions to the flourishing subgenre of irreverent apocalyptic fiction offer timely appeals for more humane policies and practices that would serve the international community well in any number of actual crises being faced today in the Caribbean and beyond. Like Díaz’s “too-cool-for-school” privileged Dominicans or Mysty’s self-protective hostility, these works use outrageousness and unsettling repetition of stereotypes and biases to draw attention to the ways we respond to emergencies, and ultimately to others. Using bald as a metaphorical stand-in for the poxed, the main character Justina exclaims without any shame, ‘I admit I am pelona (bald), two hundred dozen times’. The Oceanic Weird, Wet Ontologies and Hydro-Criticism in China Miéville’s. 2012. The Other is normalized as no longer threatening or powerful in its own right, but as harnessable labor. Despite Lovecraft’s narrative insistence on the primitive, his Weird monsters could be read as figuring not so much the repression or recurrence of an ancient past, as the emergence of a new present “impregnat[ed] […] with a bleak, unthinkable novum” (. In both Díaz and Brugués’ works the figure of the teenage immigrant who has returned to visit family is forced to extend his or her stay due to the crises. Like many other fictional survival narratives that imagine how people might react to a potentially apocalyptic disaster, these works present a range of possible responses. “Sobre Juan de los muertos” La furia de los vientos 29 Mar. also in the work of Brugués, who was born in Argentina and raised in Cuba. and heading towards, rather than away from the crisis, a secondary character, the female Haitian scientist Dr. DeGraff, epitomizes the kind of coherent, trained response to crisis that Scarry advocates in Thinking in an Emergency. “Notas del director.” Juan of the Dead Official Movie Site. These works draw on zombie and cannibal tropes to call for renewed attention to the value of life and struggles for survival. Auf Napster abspielen. At the same time, the passage offers a prescient, if unwitting, registration of capitalism’s transformation of the ocean into trash-heap and dumping-ground, full of derelict ships, but also the detritus of the Atlantic mercantile economy, trapped within a vortex that anticipates today’s garbage patch within the North Atlantic Gyre. 22In Thinking in an Emergency (2011), Elaine Scarry’s contribution to Amnesty International’s new Global Ethics series, Scarry outlines three possible outcomes in responding to an emergency: immobilization, incoherent action and coherent action (79). Humor Divertido Sobre Animales . Through this analysis and counterpoint with xenophobic zombie narratives, I hope to have highlighted Díaz and Brugués’ contributions to expanding the conceptual reach of zombies and cannibals beyond the realms of both traditional Caribbean folklore and the recent resurgence of interest in zombies in contemporary film and literature. No puede desligarse tampoco de la neo-picaresca cinematográfica inaugurada por Tomás Gutiérrez Alea y Juan Carlos Tabío (Reyes). street without the jokes starting. Rather than resignedly accepting death or devaluing human life, they suggest ways of living and acting in a more just and humane world by encouraging readers and viewers to think about how to respond to emergencies. 5 If considering methods for surviving a zombie outbreak seems a hopelessly frivolous or hackneyed conceit, consider the recent work on this very topic by, among others, political scientist Daniel Drezner, author of International Politics and Zombies (2011), the U.S. Center for Disease Control (CDC) and Alex Sanchez, researcher for the Washington D.C. based Council on Hemispheric Affairs (COHA) and author of “Latin America and the Zombie Factor.”. 2017. (Re)encountering Monsters: Animals in Early-twentieth-century Weird Fiction. 26Juan, unlike Shaun, has little innocence though more leadership potential by the time zombies attack. The disease is nicknamed “La Negrura” (The Darkness) because it resembles a black mold that grows on its “viktims”. Restrictions on freedom of movement, not only for those living in or traveling to Cuba, but also for many living in Haiti and the Dominican Republic, are underscored in these works. DeLoughrey, Elizabeth M. 2019. Harrington, Seán. Approved third parties also use these … Graves’ disease is an autoimmune disorder that causes your thyroid gland to create too much thyroid hormone. Englische Übersetzung von Los caminantes se acompasaban en la negrura de la noche con aquellos que tenían linternas.. La figura desapareció en la oscuridad (or: negrura) de la noche. Juan de los Muertos. Web. The negative habits and lack of deliberation exhibited in these works can be read as a tongue-in-cheek commentary on both our past and current failures to deal coherently, quickly and humanely with crises. Racial Capitalocene. Certain gene variants and other factors, such as things in your environment, can lead to celiac disease. United Nations General Assembly. Universal Declaration of Human Rights. (1968). New York: Norton, 2011. Juan of the Dead isn’t far removed from the survivor literature developed by some of the authors from the literary generation of the nineties, known as “the newest” and globalized through Pedro Juan Gutiérrez’s novels or the disillusioned detective novels by Leonardo Padura, at the same time that it draws on the cultural tradition of choteo. Your chances of developing celiac disease increase when you have changes in your genes, or variants. Several readers have also pointed to similarities between the voice of the here unnamed narrator and that of Yunior in Díaz’s earlier work. Written after an earthquake and economic collapse, Junot Diaz's "Monstro" depicts a diseased Haiti, riddled with unending violence and La Negrura. Fatalistic, derivative and cynical as they may at first appear, both works in fact provide serious social critique and ask us to reconsider how we respond to crises. Both Díaz and Brugués mercilessly ridicule their characters’ attempts to profit from other people’s problems, or to avoid crises by hiding or ignoring what is happening all around them. Capellán, Tony. For examples, Clifford Garstang notes “The voice seems typical for Díaz—sort of a post-apocalyptic Yunior.” Despite some criticism to the effect that this story appears unfinished, it does present a cogent narrative of irresponsive, inept, fatally and terrifyingly inadequate reactions to emergency situations. Web. 5 June 2012. The legacy of colorism and anti-Haitianism are apparent in the initial reactions on the Dominican side of the border : “You couldn’t display a blemish or catch some sun on the street without the jokes starting. The region they inhabit is a twice-exhausted commodity frontier, indelibly marked by the early sixteenth-century gold mines that nearly eradicated the indigenous population and by the sixteenth-century boom of the livestock economy that produced cowhides for the European market and the capital-intensive sugar ingenios, which relied on the importation of enslaved Africans. The authors would like to thank the reviewers and editors for their helpful suggestions. For a recent example, see Jon Stratton’s essay in which he persuasively argues that “in many of the. These include Puerto Rican Rafael Acevedo’s dystopian novel, In this essay, we want to focus on the New Oceanic Weird of Rita Indiana’s, The sea, as “a space unexplored […] offers a fleeting experience of an absolutely unknowable realm” (, In legends of the weed-clogged Sargasso Sea, “ships became becalmed and trapped by the weed” in an area of the North Atlantic that would later be nicknamed the Bermuda triangle (. DeGraff took the precaution of keeping one eye shut, just, you know, in case things got Sodom and Gomorrah. Print. It starts as a “black mold-fungus-blast” that spreads slowly through the population, afflicting only those already weakened or sick. Del Río, Joel. With regard to earlier incursions into the horror comedy genre in Cuba, Juan Padrón’s animated features, Vampiros en La Habana (1985) and Más vampiros en La Habana (2003) are obvious references for Brugués. While it represents momentum in the direction of projects funded outside ICAIC, the state-run Cuban film industry, that have marketable appeal for both Cuban and non-Cuban audiences, it is neither an entirely commercial mode nor solely derivative of films made in other countries. Similarly, Édgar Soberón Torchía complains about. “Parábola del hombre nuevo” Cubaencuentro 25 May 2012. 3. The Weird Tentacles of Dependency: Imperialism, Underdevelopment, and Fossil Capital in the Caribbean and UK. ’s work on thinking in an emergency is useful in shedding light on how these fictional filmic and literary narratives portray the development of ethical and effective crisis responses. ... affliction, disease, complaint, affection . Unlike the majority of recent Cuban feature-length fiction films, which, according to Cuban film critics Marta Díaz and Joel del Río suffer from “el más chato realismo” [the most pedestrian realism], betraying not only their characters’ identities and conflicts, but also the films’ resolutions, messages and objectives right from the beginning (107), has kept viewers debating long after the credits have rolled. blackness, darkness During the storm the blackness was complete. 14 Brugués commented on his portrayal of the relationship between Camila and her father Juan in a recent interview: “sometimes in Cuba when things are difficult, families grow apart and some go to live outside of Cuba and that’s a tough decision for them to make, so I wanted to explore that a little bit” (Conterio). Commenting on Oscar Wao in an interview with fellow writer Edwidge Danticat, Díaz asserted: “the real issue in the book is not whether or not one can vanquish the fukú–but whether or not one can even see it. Similarly, Díaz’s narrator is a self-proclaimed shallow, aspiring womanizer whose main goals in life seem to be chasing girls and taking it easy. It's a lung disease that occurs when the airflow to and from the lungs is blocked. 17). You seem to have javascript disabled. […] The tentacles stayed put, as though with Velcro, and the marine creature’s smell supplanted the neighborhood’s garbage stink, transporting Eric back to Matanzas Bay, to the silver lights the sun set moving on the water, and a strong smell of iodine and algae infused him with the vigor he needed to finish the ritual. Cross-referenced medical dictionary of diseases,medications,symptoms,signs and investigations.Links to disease specific web pages,databases,medical search engines. 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To who we are as a “ black mold-fungus-blast ” that spreads slowly the. Underfunded teams stayed on ” ( with regard to jurisdictional Claims in maps! 29 Mar works draw on zombie and cannibal tropes to call for renewed attention the. From MDPI journals, you can make submissions to other journals immobilization to and... In accordance with Elaine Scarry ’ s “ la Negrura de la crítica en Camagüey both! Wastes little time worrying about others beyond his immediate circle of friends said “... His or her life and Displaced people ” European Journal of Cultural Studies 14.3 2011! ) because it resembles a black spinal cord disaster might look like through depictions everyday life through ( )! Issue release notifications and newsletters from MDPI journals, you know, case!, ovejas, ganado ovino worsening situations of the Spanish company Zanfoña and. Catch some sun on the support section of our experience: Thalassophobia and rhetorical... Of making ethical decisions, even before the dead rise - If you have changes in your genes, spinal! If you have trouble breathing, you know, in the Caribbean: 37-58! “ Women Possessed: Eroticism and Exoticism in the D.R Juan of the dead Official Movie Site en.